- Nick LaPlante, Marketing & Product Strategy
Sean: And I love that they stuck with the handle on the box, because a lot of people used to carry their iMacs to and from places with the handle.
Nick: Ta-da. That's an amazing mechanism.
Sean: It's so thin. I have a broken arm, but I'm able to hold it. It's not too heavy.
Ken: We shouldn't be having you holding a computer, right?
Sean: We have a guy with a bad back, and I've got a broken arm.
Nick: [Laughs] So you're saying I should do it? Alright, we’ve got it out, looking at the front in person now. What do you think?
Ken: You know that effect you get when you have the color, and then you have glass covering the front of it? It makes the glass look colored. You can't really get that in a photograph. It's obvious that it's glass in person. There's this two-tone look—I think Sean and I differ in our opinions on that.
Sean: I really like it. I like it a lot. I like how that front piece of glass just looks like it's floating on nothing. And now that we'll be going back towards this playful style, I think the white really speaks to that. And kind of showing the technology because that's what the old see-through iMac was all about. It's showing the tech kind of exposing itself.
Ken: Personally, I think if they're going to go for this, they should have gone thicker with the glass. It's so thin that it looks like a veneer that's stuck on. It looks like it's just a decoration. From a pure design perspective, I think this would have been pretty badass if the glass was like an eighth of an inch thick, you know? And you could actually see a bevel treatment on it. It looks like a facade, almost accidental.
Ken: I think part of it is the bias from having stared at the previous iMac for ten years. The old iMac foot feels like almost twice the surface area.
Sean: I think from the back it feels pretty well balanced. From the front is where it starts to feel almost a little unstable. But at the same time, you know it's solid. I think that's the magic of the foot. The foot is one of my favorite parts of this whole design, and especially the mechanism that holds the two things together.
Ken: I want to expand on that. So, where the hinge touches the screen, it looks impossible. That's something your brain knows—that things aren't attached at tangents like that, but you don't take a cylindrical thing and stick it onto a flat thing. And I think it's a nice effect.
It feels like an impossible feat of engineering, the way the hinge attaches to the screen.
Ken: It kind of looks like the speakers aren't actually going the whole way. So it's a design aesthetic feature. That's so Apple, to do something like that, where no one's going to see it, but they go crazy on it anyway.
Looking at the machining on the foot now—a little sloppy actually for Apple's craftsmanship. It's a sharp edge, and you can see that there's a little chatter. You would never accept that on an iPhone or something that's in your hand. Apple's stuff usually looks impossibly perfect.
Ken: So you've got the two colors here—the neck of it is the dark anodization. And then the cord part is mirroring the front of the screen, in terms of color. The texture on this cord is off the hook. That'd be the best I've ever seen. Feels really high quality.
Ken: I mean, this was one of the original things that Apple did right. I remember when I was in grad school, I tried to imitate them hard [laughs]. I vacuum formed a plastic thing in white, and then a sheet of clear plastic on top of it. That was the thing. I mean, if you think back to that old iMac, everything about it had these clear elements, these glassy elements, and it was very playful, very bulbous.
Ken: Well, the original monitor stand was designed for the iMac. Because the original inspiration was seeing iMacs on stacks of books in that classic story from Airbnb. The monitor stand is kind of the start of it all—the timeless design has really minimal lines that highlight whatever is on top of it without distracting from it.
It's like they were meant to be together.
Ken: So if you had a walnut setup and a maple setup and had all six colors of iMacs you'd have combinations for days! Refresh your desk once per month—it's a good deal.
Nick: You've got the same computer, but it does feel totally different with the different wood.
Sean: Luckily it's a different user entirely, right? Like if you have a MacBook Pro you're not using it with an iMac because this is a computer.
Ken: It's a classic product-strategy dilemma, right? If you change one thing, suddenly the design clashes with previous products. Do you let the tension be, or do you fix it and bring everything together?
Sean: If you look at the back of this stand where you have that metal hit on the ends... what is that? What is that from? Did we see that before?
Sean: The old keyboard. Right. That old keyboard would still match because you still have Easter eggs or little design language elements coming back or being used in different ways, which is the same thing that we do in our products.
Ken: The more I stare at the front of this, it's really minimal. I think it's because I'm used to seeing the logo on the front. It's striking.